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Review
“The novel truly becomes novel again in Luiselli’s hands—electric, elastic, alluring, new . . . She is a superb chronicler of children: the daughter and son feel piercingly real—perceptive, irreplaceable, wonderfully odd. The book [is] an archive of curiosities, yearnings, animated by the narrator’s restless energy . . . It breaks out of the rhythms of the road trip, into a heart-stopping climax.” —Parul Sehgal, The New York Times “Daring, wholly original, brilliant. . .fascinating. What Luiselli has pulled off here is a twist on the great American road trip novel, a book about alienation that chronicles fractures, divides, and estrangement—of both a family and a country. It’s a remarkable feat of empathy and intellectuality that showcases Luiselli’s ability to braid the political, historical, and personal while explicitly addressing the challenges of figuring out how to tell the very story she’s telling. Luiselli is an extraordinary writer [with] a freewheeling novelist’s imagination.”—Heller McAlpin, NPR “Engrossing…constantly surprising—a beguiling mixture of the real and the doubly invented; a passionately engaged book [with] intellectual amplitude and moral seriousness, [and] a beautiful, loving portrait of children and of the task of looking after them. The kids are utterly alive, hurling questions and mangling adult signals: we are with the family, inside their Volvo wagon, or looking over their shoulders as they eat in diners and stay in motels. It is a pleasure to be a part of the narrator’s family; just as pleasurable is the access we gain to the narrator’s mind—a comprehensive literary intelligence.” —James Wood, The New Yorker “Riveting, lyrical, virtuosic . . . There is joy in make-believe in Lost Children Archive—a novel as much about storytellers and storytelling as it is about lost children. Two texts and two journeys—one by car, meandering; the other speeding forward with the locomotive propulsion of suspenseful fiction—seem on their way to a collision; Luiselli’s most thrilling section consists of one rhythmic, delirious feat of a sentence reminiscent of Molly Bloom’s epic soliloquy in Joyce’s Ulysses. The novel bears rereading, to reveal pleasing ironies. Luiselli’s metaphors are wrought with devastating precision . . . The brilliance of the writing stirs rage and pity. It humanizes us.” —Gaiutra Bahardur, The New York Times Book Review“Luiselli is a master. Not since Lolita has a road trip so brilliantly captured the dark underbelly of the American dream, the gulf between its promise and reality. Luiselli confronts big picture questions: What does it mean to be American? To what lengths should we go to bear witness? Will history ever stop repeating itself? All the while, her language is so transporting, it stops you time and again.” —Carmen Maria Machado, O Magazine “Stunning—an engaging blend of essay, travelogue and narrative. Those who read with pen in hand will find much to underline and explore. At the halfway point we turn a corner, and echoes from the past converge with the present with devastating force. Readers have been galvanized by road trips before; one thinks of Jesmyn Ward’s haunting Sing, Unburied, Sing, and the ambition and humility of James Agee’s Let Us Now Praise Famous Men. As with that brilliant and challenging book, Luiselli’s singular narrative will prove uniquely rewarding, even life-changing.” —The Seattle Times “Urgent, profound, and poetic, this is a modern classic in the making, one that should be considered required reading . . . Threading together a rich tapestry of heartbreaking stories is the story of [one] family on the road. As their journey continues, it becomes clear that something else is driving this family to the Arizona-Mexico border—something of much greater importance than their projects, their careers, and even themselves. Lost Children Archive asks important questions about the nature and importance of storytelling, fictional and factual. It is a layered narrative about family, immigration, justice, and hope. There is no simplicity in [the novel’s] structure, no easy ending. The story is still being written, being told, and perhaps most importantly, being heard.” —Bustle “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood... Luiselli’s mind is a delight; her writing shimmers like its desert setting. This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post “Remarkable, stunning . . . Luiselli’s writing possesses a restless intelligence that weaves disparate lives and cultures into a map of the world . . . The music this novel’s ensemble of voices creates is beautiful.” —Newsday“In probing, elegant prose, Lost Children Archive maps one family’s road trip [through] a strange, beautiful, iconic landscape of gas stations, diners, and motels, [into] Apacheria, a place that contains the histories of ‘the last free peoples on the continent.’ The novel unfolds with great attention to voices, echoes and silences; it has a dreamlike rhythm that feels both urgent and reflective.” —WBUR “A resonant Great American Novel for our time—a dense and layered novel of the Americas, evocative of Kerouac and Bolaño, Rebecca Solnit and Juan Rulfo. There [is] a counterbalance of intimacy and inventiveness to Luiselli’s writing.” —Vanity Fair “Poignant . . . Lost Children Archive is unquestionably timely, [but] it also approaches a certain timelessness, like all great novels. It is laced with the melancholy of last things. The novel reminds us how fragile family can be . . . It [reverberates] with the headlines of the present, and the great art of the past. The maddeningly ‘relevant’ political novel is all the rage right now, but what separates Luiselli’s book from the pack is that it manages to be political without being propagandistic, rousing without any didacticism. This novel is the kind of book we need right now.” —Los Angeles Times “Stories appear on the news, lacking in compassion, meant to inspire fear. But there are those trying to paint a fuller picture. Valeria Luiselli is one of those people. Lost Children Archive is a story, but also a response: to the articles, to literature, to the nonprofits and schools, to the American landscape, to ideas of family, and to ideas of choice. There is so much truth in this novel. In some ways, Lost Children Archive is like a love letter to literature. Luiselli is an exceptional writer who knows her craft; this is a beautiful text, in which everyone is searching for connection and reconnection—a novel asking for more consideration, more mercy, and more action.” —San Francisco Chronicle “However we decide what defines a Great American Novel in 2019, it must feel a lot like what’s inside Lost Children Archive. Not only because the narrative unfolds across a literal road map of the United States, or because its focus—open borders, blended families—is so painfully of the moment. But because the search for selfhood and manifest destiny seems so freshly recast in the frank intelligence and imagination of Luiselli’s telling. With song lyrics, sketches, and Polaroids, the novel drifts almost dreamlike between the personal and political, finding beguiling detours and cul-de-sacs as it goes. The kids are precisely, perfectly drawn. By its feverish climax, Luiselli isn’t just giving us a story, she’s showing us new ways to see.” —Entertainment Weekly “Elegant. . . epic in its assured embrace of American history, literature, pop culture, and politics. —Maureen Corrigan, NPR“Revelatory, simply stunning . . . a road novel driven by fierce intelligence; a breathtaking journey that builds slowly and confidently until you find yourself in a fever dream of convergences. This book is a perfect intervention for our time, but that fleeting concurrence is not why this book will be read for years to come. Luiselli is swimming in the historical currents of the great stories and myths of journey and discovery that came before. Lost Children Archive is a great American novel. It is also a great human novel.” —Guernica “Luiselli writes like a poet. Intelligent and patient, her telling of this historical moment of walls and inhumanity breaks open the mystery that surrounds immigration, making visceral a reality that few regard when thinking about the lives involved. She is ethnographer and activist, fictionalizing political work as she is immersed in it. A heartbreaking book.”—Lit Hub “The spirit of Bolaño animates this novel about our American-made border crisis. What starts as fragmented narrative gives way to a suspenseful climax. Lost Children Archive is a story about all American sins.” —Vulture“Masterful, compelling, beautifully articulated . . . a profound and unsentimental composition on exile.” —Los Angeles Review of Books“A highly imaginative, politically deft portrait of childhood within a vast American landscape—a rollicking tale that contains within it an extremely disciplined exercise in political empathy. For her upside-down Western, Luiselli adopts the Virginia Woolf technique by which the minds of characters are linked as they watch the same objects move through the same sky. Luiselli takes the minds of children seriously, and the reader witnesses their intelligent eyes and ears recording each detail of the borderlands and registering the full terror of them. There’s no way to convey through quotation the effect of the novel’s most thrilling section, a single sentence sustained for some twenty pages near the end, which remains measured and crystalline, expertly controlling plot, setting, character, fluctuating views and moods and voices . . . Luiselli shows the reader something she wouldn’t normally see, and also maps the past onto the present in ways that can reveal hidden contours in both.” —Harper’s Magazine “Radical, compelling: a book that is both personal and global, familial and political. Luiselli is capable of pushing the boundaries of the sentence like James Joyce and David Foster Wallace. [At] the novel’s climax, forgoing paragraph breaks, Luiselli builds a wall of prose across nineteen pages. It’s the most emotionally draining sentence that will be published this year, and, unlike a wall of concrete, her wall of prose unites the many characters’ story lines. A true literary spectacle.” —Pittsburgh Post-Gazette “Luiselli is one of the most fascinating and impassioned authors at work today. Lost Children Archive is a haunting hybrid of lyrical storytelling and political fury—a powerful indictment of the cruelty and inhumanity inherent in the current American immigration system, and a vital work for the Trump era.” —Dan Sheehan, Lit Hub“Virtuosic, exhilarating . . . By the final cadence, Lost Children Archive has become not only an indictment of US immigration policy, but a requiem memorializing every child who has ever lost their right to a childhood.” —Texas Observer “Lost Children Archive reads like a memory. It unfolds in vignette-like scenes and takes you deep into the head space of its narrators. Luiselli is an imaginative writer; her work as an advocate for asylum-seekers informs the novel’s skillful blend of family story and issue-driven themes. The characters join people forced to face separation and relocation to unfamiliar territory, their current situation an echo of so many others—echoes [that] will remain in the mind of the reader as well.” —Book Page “Luiselli’s new novel maps a crumbling young family’s journey across the United States in search of the stolen home of the Apaches amid a national backlash against immigrants. Luiselli trains an analytical eye on the tropes she’s dealing with, drawing out threads that we use to define fuzzy ideas like a family, and holding them up to the light.” —HuffPost “Powerful and timely.” —PureWow “Luiselli is a brilliant novelist . . . she gently prods us to look at America from a wider perspective, [beginning] with the myriad negotiations of family life. Luiselli’ wit and her references to sources as diverse as Paul Simon, Ezra Pound, Susan Sontag, Laurie Anderson, and Sally Mann offer regular jolts of insight and delight; the influences are seamlessly embedded, not showy. Luiselli skillfully weaves together narratives that span multiple generations, perspectives, and cultures, creating a conclusion that might best be described as a spectacular singularity.” —Columbia Magazine “An ambitious road-trip novel that traverses geography, ideology, and time, while exploring the dissolution of a marriage, Lost Children Archive is heartbreakingly relevant to the humanitarian crisis at the U.S.-Mexico border. Luiselli has a gift for layering on the themes while also honing in on what makes the political so personal.” —A.V. Club “Poignant, intense, keenly timely . . . Luiselli is no stranger to inventive storytelling; [this] latest work is perhaps her most politically relevant. A couple and their children embark on a cross-country road trip from New York City to Arizona; the scale of the migrant crisis redirects their efforts. Stories of Latin American asylum seekers and the disappeared Apaches overlap and converge; themes of translation and migration resonate. This is one of few novels that fully and powerfully conveys the urgency of this unsettling situation.” —Booklist (starred review) "Impossibly smart, full of beauty, heart and insight, Lost Children Archive is a novel about archiving all that we don’t want to lose. It is an ode to sound. Valeria Luiselli looks into the American present as well as its history: into Native American history, and the many intersections between American and Mexican history that are and have always been there. This is a road trip novel that transcends the form, while also being the perfect American road trip novel for right now. Everyone should read this book.” —Tommy Orange “A gorgeous and vital ghost-rich soundscape, and one of the most brilliant portrayals of child-parent relationships I have ever read. Luiselli floods extraordinary light onto childhood, parenthood, the literary consciousness, and how we make sense of past and present pain. Lost Children Archive is one of the best novels I’ve read in recent years, and one of the most important.” —Max Porter, author of Grief is the Thing With Feathers “Valeria Luiselli writes with so much intelligence and compassion and originality, her work always astonishes me. Lost Children Archive is absolutely phenomenal.” —Claire-Louise Bennett, author of Pond “Engrossing.” —Southern Living“A feast of language and storytelling . . . Each page [brims] with a rich alchemy of fact, fable, and the narrator’s quest to make sense of life.” —BookBrowse“Lost Children Archive is political . . . but Luiselli doesn’t let this obscure her story about family: about a marriage coming apart and the bond between a sister and brother. She paints beautiful scenes of family and wonderful portraits of the children. It’s a road trip: there are fights, there are meltdowns, there is singing, there are pit stops; most of all, there are stories. Luiselli’s stories are special, the result of a towering intellect and a remarkable imagination.”—The Globe and Mail (Canada)“A delicate, funny, effortlessly poetic account of a family’s road trip from New York to the Mexican border—wonderfully subtle [and] memorable.”—The Guardian (UK) “Urgent, poignant . . . Luiselli tunes our ear for echoes between its different threads. Dazzlingly, compellingly she urges her readers towards a common humanity.”—The Financial Times (UK)“An involving and richly textured book; an engrossing portrait of a family . . . Luiselli captures children’s outlooks with sympathy, set against a shifting backdrop of seedy motels in desolate hinterlands. More narrative strands are woven into the tapestry in haunting, poetic language. [A] journey [of] fascination and sombre beauty.” —Sunday Times (UK) “Gripping, timely, intelligent.” —Library Journal“Remarkable, inventive . . . A family treks south to the U.S.-Mexico border, bearing tales of the anguish of migrant families all the way down. The opening sections are thick with literary references and social critique; imagine On the Road rewritten by Maggie Nelson. But the story darkens as they witness the [families’] plight firsthand, and later, as the couple's children stumble into their own crisis. As the novel rises to a ferocious climax, Luiselli thunderously, persuasively insists that reckoning with the border will make deep demands of our emotional reserves. A powerful border story, at once intellectual and heartfelt.” —Kirkus Reviews (starred review) “Superb, powerful, eloquent. Juxtaposing rich, poetic prose with direct storytelling, and alternating narratives with photos, documents, poems, maps, and music, Lost Children Archive explores what holds a family and society together, and what pulls them apart. The novel begins with a family embarking on a road trip, and culminates in an indictment of the tragic shortcomings of the immigration process. Luiselli demonstrates how callousness toward other cultures erodes our own. Her novel makes a devastating case for compassion.” —Publishers Weekly (starred review)
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About the Author
Valeria Luiselli was born in Mexico City and grew up in South Korea, South Africa and India. An acclaimed writer of both fiction and nonfiction, she is the author of the essay collection Sidewalks; the novels Faces in the Crowd and The Story of My Teeth; and, most recently, Tell Me How It Ends: An Essay in Forty Questions. She is the winner of two Los Angeles Times Book Prizes and an American Book Award, and has twice been nominated for the National Book Critics Circle Award and the Kirkus Prize. She has been a National Book Foundation "5 Under 35" honoree and the recipient of a Bearing Witness Fellowship from the Art for Justice Fund. Her work has appeared in The New York Times, Granta, and McSweeney's, among other publications, and has been translated into more than twenty languages. She lives in New York City.
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Product details
Hardcover: 400 pages
Publisher: Knopf; 1st Edition edition (February 12, 2019)
Language: English
ISBN-10: 0525520619
ISBN-13: 978-0525520610
Product Dimensions:
6.5 x 1.4 x 9.5 inches
Shipping Weight: 3.7 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#9,051 in Books (See Top 100 in Books)
I’ll get right to the flaws of this novel. It’s dry and self-centered. The setup is intriguing. A relatively newly married couple, with two kids each from previous relationships, is trying to make a life together. The couple met and connected while working on a research project together. But that project is completed and now they are working on separate, individual projects, and that is bringing challenges to their relationship. And then they’re going through all the usual ups and downs of parenting, with the added factor of each of the kids now being raised by a parent who is not their biological mom/dad. The big problem is the author’s first person narrator tells of their lives in a dry way, mostly via her own thoughts and perceptions. I get that this is not an action-based novel, but rather a contemplative one. But it winds up feeling more like a series of journal entries than a story. And the narrator is so self-centered as to be annoying, plus her self absorption makes it so that she never really draws out the other characters enough to make them come to life and seem interesting. Instead of a 400-page novel with so much dry narrative, this should have been a 250-page one where the narrator showed us all that happened among the characters and allowed us room to have our own perceptions about them and their experiences.
Tell Me How It Ends is the kind of book I told people about for months after I read it--so I've been (im)patiently waiting for Luiselli's next work. It does not disappoint.It's beautiful, original, luminous, and provocative. I'm not one to write long reviews. If a book moves me, it moves me. If it challenges me, it challenges me. Lost Children Archive did all of that. It's such a stunning read.I'd like to get this book into everyone's hands in the country right now. We all need to think harder and act faster with compassion. This might be a novel, but the lost children? All real.
This is a road trip novel but not a typical one—a family drives from New York to Arizona in search of the home of the Apaches. Really, though, the family is facing a crisis of its own and by hitting the road seems to be attempting to hold itself together. Playing out in parallel is the immigration crisis with dire reports coming into the family car via the radio. This is a complex literary work, perfect for readers who love a challenge and who don’t need a lot of plot to keep reading. The immigration aspects as well as the overlap between the Native American experiences and those of the Mexican immigrants were thought-provoking for me and not something I’ve seen handled this way in other novels, at least not yet. This is an innovative and rewarding read, but you’ll have to work as a reader to stay focused without the traditional inducements of drama or suspense.
Valeria Luiselli’s Lost Children Archive is a novel about borders & families written concurrently with her powerful essay on the same subject Tell Me How It Ends. Where that essay is tight in its scope & focus on the bureacracy of immigration policy, this novel is expansive & experimental. Luiselli’s narrator is masterful in her weaving of texts & images & sources--photographs, novels, poems, songs, government documents, and sound recordings all create a multi-faceted entrance to the action. About halfway through the novel, another character--the stepchild of the narrator--takes over the narration. This new narrative POV really pays off, particularly in a whirlwind of a stream-of-conscious chapter late in the novel that must be read to be believed. Lost Children Archive is a surprisingly suspenseful story, for a novel so thorough in literary erudition & historical context. The resolution is cathartic in the Athenian tragic sense of the word: It purges us of pity & fear, and it challenges us to think about what has become of the institutions that rule us, what will become of the polity in which we live.
I have given myself a 50-page rule. I'll read 50 pages of any book and if, by that time I don't like it, I won't continue. I read more than 50 pages in this case but could not finish. It is poorly written, the narrative is minimalist and the writing is immature.The characters are nameless, but in a postured and unrealistic way. There is 'the father', 'the son', 'the daughter', etc. There is no depth to the character development. In fact, they seemed like cut-outs to me. The gist of the story is that the husband and the wife meet on an oral history project and later marry. Each has a child from a former relationship and they are integrated into a semblance of a family. They live in New York City and for some obscure reason, the father wants to travel to Arizona to study the history of Apache indians. The wife doesn't really want to go but they pack up and leave anyway. The wife figures she can study the impact of separating immigrant children from their mothers.If you want to read a looooonnnnngggg and boring book, this is a definite sleep inducer. How it came to be published is a mystery to me.
The Lost Children Archive provides a powerful look at the current immigration system and a glaring parallel reflection on the atrocities forced on Native Americans. It is a reminder that the echoes of (America’s) history, good or bad, are not erased with time. Luiselli’s use of a family road trip as a plot format brought love and humanity to this book and made it compulsively readable. Without being preachy, Luiselli reminds us to listen, not just to what is current, but also to the past.
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