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Killing and Dying, by Adrian Tomine
Get Free Ebook Killing and Dying, by Adrian Tomine
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Review
“Pocket epics of romantic, creative and social frustration set in recognizably drab, drably picturesque American landscapes.�New York Times“[Tomine] is an emotional x-ray machine. All-seeing, all-knowing."?Guardian“Deft and subtle, with a bittersweet understanding of the tension between aspiration and loss."?Los Angeles Times
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About the Author
Adrian Tomine was born in 1974 in Sacramento, California. He began self-publishing his comic book series Optic Nerve. His comics have been anthologized in publications such as McSweeney’s, Best American Comics, and Best American Nonrequired Reading, and his graphic novel Shortcomings was a New York Times Notable Book of the year. Since 1999, Tomine has been a regular contributor to the New Yorker. He lives in Brooklyn with his wife and daughters.
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Product details
Paperback: 128 pages
Publisher: Drawn and Quarterly; Reprint edition (February 6, 2018)
Language: English
ISBN-10: 1770463097
ISBN-13: 978-1770463097
Product Dimensions:
6.4 x 0.6 x 9.1 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
73 customer reviews
Amazon Best Sellers Rank:
#344,894 in Books (See Top 100 in Books)
Adrian Tomine is the master of the "Slice Of Life" stories and here are six recent stories collected together in a very handsome hardcover. It has a sewn binding with quality paper. The book cover is clear plastic with only the title on it. A very creative package.Five of these stories are from Tomine's magazine Optic Nerve (issues #12 to #14). The sixth from Kramers Ergot #7 has been retitled and changed from it's original appearance.The lead story A Brief History Of The Art Of "Hortisculpture" is a story about a man and his dumb invention. Tomine structures this story to look like a newspaper strip. You get six black and white daily strips followed by a large full page color strip. The theme of trying to say something to a loved one about their life's dream which you know is totally unrealistic is something we have all experienced.Alice Sweet the next story is the one from Kramers Egot. It is about a girl who finds out she looks just like a famous "Porn Star". This one is beautifully illustrated by Adrian Tomine in full color and wide open panels.Go Owls is a heartbreaker about a girl who settles in a relationship mainly because she has no other place to live.Translated , from the Japanese is very traditional little story told in a very untraditional format. It is a story of a mother and her young child reconnecting with the father. It is very ground breaking in that Tomine never once depicts any of these three characters or the man she meets on the airplane at all.Killing and Dying is the title story about an untalented fourteen year old girl who wants to be a comedian, meanwhile something very tragic is going on in the background. The story is told in postage stamp size 20 panel grid. This is a powerful and poignant tale which will break your heart.Intruders the final story I found very disturbing. It is told from a first person narrative and it is very easy to identity with the protagonist until you figure out there is something disturbingly wrong about him.Tomine is a master storyteller and these stories will touch your heart and your head.My Highest Recommendation.
First off, Stephen Vincent Kempton has written a perfect review of this book for Amazon. Go read that.This is a collection of 6 stories, all of which may (but not assuredly) are set in Los Angeles.1) A middle aged man invents something that is neither popular nor useful. His wife is supportive. The highlight of the story is the relationship between the married couple, how it is effected and how they communicate.2) A young woman experiences school, and relationship problems because she looks like an internet porn star.3) Two people meet at an AA meeting and drink and fall into a relationship.4) A Japanese woman and her daughter return to America to see the father. The couple is not getting back together. We never see any of the characters.5) An awkward, stuttering teen wants to become a comic. Her cancer-ridden mother is supportive while her father is skeptical.6) A vet with PTSD returns home and ruminates on his former home and marriage.These are stories of connection, and how many people have little to no connections. Even when connections are made, they can be strange, stilted or have little foundation. Several poignant moments.
Tomine is a Master of Story; he takes you into a world and keeps you their until the end. When looking at the flaws in Tomine characters you can't help but self reflect and ask yourself, "can that become me or is it me in some way"? If the answer is yes, try to figure that out...if the answer is 'no' , you may be lying to yourself. Look for any Optic Nerve comics or other work by Adrian Tomine. I started with Optic Nerve #14 and ever since then I can't find enough of his work. I also recommend writing Tomine in old style letter format to thank him for his creativity and encourage him to do more! Enjoy
I put off reading this for far too long, but I am so glad I finally sat down and got through it. Below is a holistic, one-paragraph review followed by my brief takes on each of the stories in the book, in case you aren't sold. I won't go into specifics, but if you're genuinely interested in the book, it may be best to not take the chance of spoiling it.This is my first go reading Tomine's stuff, and damn if I'm not impressed. From the outside, the book is beautiful. Evocative cover art, and the clear dust cover is a nice touch (though I will say it can be easily scuffed, but no worries). The paper quality is very good, to the degree that there were a couple instances where I thought maybe I had got two pages at once but hadn't. Each story in this collection is different - everything from the subject matter and characters to the lettering and the visual style shows how much care is put into telling these tales. I'd be lying if I didn't say the book could be draining at times - some stories, one in particular, leave you feeling empty, while others have a much more hopeful turn than you would expect. There's such a range of emotions conveyed in such nuanced ways - lots of subtext and unspoken events unfold during these stories, showing how carefully they were put together. If you're into comics that read like some of the best contemporary prose short-stories, or just love good writing and emotive art, definitely check this out. Personally, I'm excited to see more of his work.~'A Brief History of the Art of Hortisculpture' is formatted like a weekly strip - I thought it was fantastic to frame the tumultuous home life depicted in the story within a format commonly associated with (generally upbeat) family-centric strips while also implying a passage of time (the story unfolds over roughly six years). Tomine highlights the pain on both sides of a marriage wherein one partner is caught in a fruitless obsession, following his muse under the water and drowning his family in his stubborn self-affirmation. Through the story, you can almost feel the ending creeping up like a foregone conclusion, an inevitability - something has got to give.'Amber Sweet' deals with the struggle to find identity and a sense of self when others see it differently. The main character has a famous doppleganger, but it doesn't help her in public- not like a, 'hey, you look like Matt Damon!' - and drastically changes her quality of life in her late teens/early 20's. The story follows her as she recounts her life falling apart and her attempts to put it back together - almost venting, getting it off her chest - with enough openness to wonder if she's on an upswing or another fall to pieces. The full-color works beautifully ('Hortisculpture' works in green tones, with occasional color), and the transition to larger panels works well for the story.'Go Owls' is probably one of the hardest-hitting in the collection, an examination of a relationship that feels more like the anecdote of the frog being boiled alive so slowly it doesn't realize it than a relationship. The main character meets an older man at an AA meeting and suddenly seems to be the background character, completely overshadowed by the man that bonded with her over addiction and baseball. At times, it seems okay, that it's getting better, but the feeling of being trapped comes across so realistically that the reader feels it too. Heartbreaking.'Translated, from the Japanese' is probably my favorite of the bunch. It's only seven pages, spread across large panels and narrated in what amounts to maybe a couple paragraphs of text, and not once are any of the characters seen directly, but the power in the story is undeniable. By focusing the full-color art on the settings, locations, objects, and everything around the characters, the reader takes the journey with them and the story somehow becomes even more universal. I absolutely loved this one.'Killing and Dying' follows a family of three dealing with expectations and aspirations on the surface, and something unspoken and devastating between the lines (watch the art in the background). Where is the line between support and protection, when does a parent stop or allow their child to experience failure, and what matters more? The characters here are as flawed as they are relatable, and it's the perfect portrait of a family trying so hard to be together and to be there for one another. The format changes again here, with small, gridlike panels.'Intruders' closes out the collection in stark black and white, and is definitely up there in the running for darkest of the bunch. A veteran tries to return to his old life first in normal ways, but then they turn more sinister. There's a lot of moral crisis in this one, and in a way the main character deserves pity for most of it, but it's somewhat unclear if by the end the events he put himself into changed him for the better.Again, this is a fantastic set of stories and I look forward to reading more from Tomine for sure.
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